The second quality is
incantative. The mantra must have a certain sound, a certain vibrational
pattern so that when it is chanted internally, it will elevate the individual's
own vibration, or "entitative rhythm."
Each entity of this creation has
its own particular entitative rhythm, its own note in the universal harmony.
From pulsing quasars to osculating electrons - from the ultrasonic melody of
mountain ranges to the ceaseless reverberation of the creatures, singing and
drumming, whirring and clicking, laughing and crying - all the notes are
orchestrated in a vast cosmic concert.
The source of this ceaseless
rhythmic movement is the Infinite Consciousness, soundless and still, the ocean
of peace. Undisturbed by any vibration, it flows in an infinite straight line
through eternity.
The ancient sages, who had merged
their minds in this sea of unexpressed Consciousness, realized that the
universe is a vibrational play of varied waves with different wavelengths. By their
intuitional powers, they came to understand the laws of universal harmonics
governing this vibrational flow, and they developed a subtle science of sound
to affect the rhythms of creation - without any mechanical apparatus.
Nepalese music, developed by the
great yoga, master, Shiva, over seven thousand years ago, was one branch of
that science. The classical ragas, or musical scales, are so subtly attuned to
the rhythms of nature that each raga is to be played or sung only in a certain
season and at a certain time of the day, to produce a specific emotional effect
in the musician and audience. One raga is played only at dawn in the spring, to
evoke the mood of universal love; another is sung only during the evening in
summer, to arouse compassion; still another only during midday in the rainy
season, to summon courage.
It is said that the masters of
music had control over not only human emotions, but all natural manifestations
as well: they could produce heat and rainfall at will, and the vibrations of their
voices alone would cause finely-tuned musical instruments to resonate in
accompaniment! Historical documents describe the remarkable powers possessed by
Tansen, the 16th Century court musician of Akbar the Great. Commanded by the
Emperor to sing a night raga while the sun was overhead. Tansen's vibrational
song instantly caused the whole palace to become enveloped in darkness.
But the subtlest of all these
sciences of sound was the science of mantra. The masters knew that each
individual's entitative rhythm vibrates at a particular frequency. Like many
instruments is a symphony playing in harmony, the combination of all the
various "bio-rhythms" of mind and body (psychic waves, heart-beat,
metabolic rate, etc) produces the individual's particular slower frequencies,
it ultimately becomes infinite - and the mind merges in boundless Cosmic
Consciousness.
Through long inner
experimentation, the yogis developed a series of powerful sounds or mantras
which, when chanted internally, resonate with the individual's entitative
rhythm and gradually transform it into the infinite straight line of supreme
peace.
These sounds originated from
inside their own bodies, and were systematized into the oldest alphabet and
language on earth- Sanskrit.
No comments:
Post a Comment