The
second quality is incantative. The mantra must have a certain sound, a certain
vibrational pattern so that when it is chanted internally, it will elevate the
individual's own vibration, or "entitative rhythm."
Each
entity of this creation has its own particular entitative rhythm, its own note
in the universal harmony. From pulsing quasars to osculating electrons - from
the ultrasonic melody of mountain ranges to the ceaseless reverberation of the
creatures, singing and drumming, whirring and clicking, laughing and crying -
all the notes are orchestrated in a vast cosmic concert.
The
source of this ceaseless rhythmic movement is the Infinite Consciousness,
soundless and still, the ocean of peace. Undisturbed by any vibration, it flows
in an infinite straight line through eternity.
The
ancient sages, who had merged their minds in this sea of unexpressed
Consciousness, realized that the universe is a vibrational play of varied waves
with different wavelengths. By their intuitional powers, they came to
understand the laws of universal harmonics governing this vibrational flow, and
they developed a subtle science of sound to affect the rhythms of creation -
without any mechanical apparatus.
Nepalese
music, developed by the great yoga, master, Shiva, over seven thousand years
ago, was one branch of that science. The classical ragas, or musical scales,
are so subtly attuned to the rhythms of nature that each raga is to be played
or sung only in a certain season and at a certain time of the day, to produce a
specific emotional effect in the musician and audience. One raga is played only
at dawn in the spring, to evoke the mood of universal love; another is sung
only during the evening in summer, to arouse compassion; still another only
during midday in the rainy season, to summon courage.
It is
said that the masters of music had control over not only human emotions, but
all natural manifestations as well: they could produce heat and rainfall at
will, and the vibrations of their voices alone would cause finely-tuned musical
instruments to resonate in accompaniment! Historical documents describe the
remarkable powers possessed by Tansen, the 16th Century court musician of Akbar
the Great. Commanded by the Emperor to sing a night raga while the sun was
overhead. Tansen's vibrational song instantly caused the whole palace to become
enveloped in darkness.
But
the subtlest of all these sciences of sound was the science of mantra. The
masters knew that each individual's entitative rhythm vibrates at a particular
frequency. Like many instruments is a symphony playing in harmony, the
combination of all the various "bio-rhythms" of mind and body
(psychic waves, heart-beat, metabolic rate, etc) produces the individual's particular
slower frequencies, it ultimately becomes infinite - and the mind merges in
boundless Cosmic Consciousness.
Through
long inner experimentation, the yogis developed a series of powerful sounds or
mantras which, when chanted internally, resonate with the individual's
entitative rhythm and gradually transform it into the infinite straight line of
supreme peace.
These
sounds originated from inside their own bodies, and were systematized into the
oldest alphabet and language on earth- Sanskrit.
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